Jerome Boettcher

Veteran artists, writers reflect on the impact of the military at the Cheuse Center International Writers Festival

Katarina Benson — Tue, 27 Oct 2026 20:29:04 +0000

Veteran artists, writers reflect on the impact of the military at the Cheuse Center International Writers Festival Katarina Benson Tue, 10/27/2026 - 16:29

Three ��ɫ��Ƶ alumni recently reflected on turning their experiences as military veterans into art, with a moving exhibit as the backdrop inside the Gillespie Gallery at the Art and Design Building on George Mason’s Fairfax Campus.

The panel discussion “Another Country: Veteran Artists and Writers in Conversation” kicked off the 2026 International Writers Festival presented by George Mason’s Alan Cheuse International Writers Center in the College of Humanities and Social Sciences.

“Another Country: Veteran Artists and Writers in Conversation” panel. Photo by Cristian Torres/Office of University Branding

“When we began working together with the veterans, I learned from them that the language of the military, its norms, and customs, are like a country in and of itself,” said Cheuse Center director Leeya Mehta. “I was also fascinated with the ways veteran artists thought about their own origins, before they entered the military—the places they came from and the languages they spoke as children.”

The conversation took place at “As You Were,” an exhibit curated by retired Captain Moira McGuire, former director of healing arts at Walter Reed National Medical Center, that features the work of 31 artists encompassing veterans, family members, and caregivers.

“Veterans who submitted for this show very specifically identified that sense of community as being so important,” said McGuire, who is also an adjunct lecturer in George Mason’s Arts Management Program. “It is something I think creativity and expression naturally lead to. People create communities around their photography, their creative writing, their experiences as veterans. It is a beautiful pursuit, and we absolutely want to support it.”

With McGuire moderating the panel, George Mason alumni Steven Luu, BFA Art and Visual Technology ’22, MFA Art and Visual Technology ’26; Kat Reyes Colvert, MFA Creative Writing ’22; and Ben Inks, MFA Creative Writing ’22, discussed their works and their service as veterans after 9/11.

Luu, whose work, along with McGuire’s was featured in the exhibit, is a former combat medic who was first introduced to art through an intensive treatment program at Walter Reed National Military Medical Center. He has collaborated with the Cheuse Center for four years—conducting workshops, sharing his art, and deepening the Cheuse Center’s understanding of the veteran experience. The audience heard deeply personal work about Luu’s service and artistic practice during the session.

Inks and Colvert, former classmates in the Creative Writing Program, spoke to the therapeutic processes of writing.

Inks, who earned a Purple Heart in Afghanistan, published the short story collection, Soft Targets, which was named one of Kirkus Reviews’ Best Books of 2023.

Colvert served as a surface warfare officer in the Navy. She is currently working on her debut novel, The Ghost of Malabon, a coming-of-age story inspired by true events about a young woman as she searches for answers in the guerrilla resistance after the murder of her grandfather in Japanese-occupied Philippines.

Veteran participants of the “Another Country" discussion. Photo by Christian Torres/Office of University Branding

“I used writing, which is why I like fiction, as a way to bring aspects of certain people I no longer have back to life,” Colvert said. “I can manipulate worlds and think about things I don’t maybe want to commit to in this version of me sitting here right now.”

The festival encompassed two days and featured writers from as far as India and Spain. In conjunction with the United States’ semiquincentennial celebration, Mehta and the Cheuse Center wanted the festival to focus on seeing America from different perspectives.

“When we attempted to address the subject of Seeing America/Translating America, we did not want to prescribe what it meant to anyone,” Mehta said. “What emerged was an unexpected playfulness and depth and a celebration of the human condition in all its myriad ways. Where American writers were sounding an alarm bell, our Spanish writer in residence, Marina Pérezagua, talked about how much she missed America when she is in Spain. I was left with a sense of exhilaration at the community of writers and artists whose work centers us to do what Alan Cheuse had hoped we would: read as much as you can, write as much as you can, and love as much as you can.”

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Communication students glean career lessons from award-winning broadcast journalist

Katarina Benson — Fri, 23 Oct 2026 17:23:01 +0000

Communication students glean career lessons from award-winning broadcast journalist Katarina Benson Fri, 10/23/2026 - 13:23

As an aspiring journalist, George Mason senior Leila Campbell left a recent conversation with award-winning broadcast journalist Geoff Bennett inspired.

While Campbell hopes to pursue a career in journalism, the creative writing major with a concentration in fiction also wants to publish a book. So hearing Bennett, co-anchor of national primetime news broadcast PBS News Hour, discuss his process of balancing his day job while also finding time to publish his first book was promising for Campbell.

“Learning more about his process and his dedication, persistence, and patience in getting that done really gave me an idea of what my five-year plan would look like,” she said.

Award-winning broadcast journalist Geoff Bennett spoke at Fall for the Book on October 8 about his book Black Out Loud: The Revolutionary History of Black Comedy from Vaudeville to ‘90s Sitcoms. Photo by Aster Equine Photography

Before speaking at George Mason’s annual Fall for the Book Festival on October 8 about his debut book Black Out Loud: The Revolutionary History of Black Comedy from Vaudeville to ‘90s Sitcoms, Bennett sat down with communication students for an in-depth question-and-answer session at Horizon Hall.

“It was such a wonderful opportunity,” Department of Communication Chair Kimberly Meltzer said. “I was glad to hear that he still believes—he is doing it himself—and sees the future of journalism upholding some of these longstanding tenets of good journalism. Continuing those standards for evaluating news and information—that’s what we’re teaching students in our classes.”

Bennett emphasized the importance of gaining experience in the field or through producing pieces. He urged the next generation of journalists to be curious and to hone their writing skills, while also encouraging them to embrace being team players in an industry that has seen the emergence of individual content creators.

“Bring the same rigor and same fidelity to the facts. It is harder to do,” Bennett told the group. “News is a team sport, whether you’re at the New York Times, PBS News Hour, Daily Wire, or whatever… Having sources you have cultivated that you can call upon, and being as transparent as you can about your sourcing with your audience without giving up your sources—that’s what I hope exists in this next iteration of journalism, whatever it is. Because it is so easy to impugn people’s motives, and people will assume bad faith where there is none. So if your process isn’t solid, it becomes really hard to do the work.”

Bennett sat down with communication students for an in-depth question-and-answer session before his Fall for the Book event. Photo by Ron Aira/Office of University Branding

The conversation was coordinated by Meltzer and LaNitra Berger, an associate professor of history and art history. Berger moderated Bennett’s conversation at Fall for the Book at the Center for the Arts and gave Bennett a tour of the Enslaved People of George Mason Memorial on Wilkins Plaza at George Mason’s Fairfax Campus.

Bennett’s discussion with students spanned his career progression, which has included stops at ABC, NBC, and NPR. He also provided insights on the state of journalism, offered career advice, and delved into his book, which focuses on the history of Black comedians and performers from 19th-century minstrel shows to the era of sitcoms. The book is expected to be turned into a documentary.

“It was really informative,” said communication major Gabriela Meza, who also wants to create documentaries. “He tailored each of his responses to our own path and made sure the things he was saying to us we could use. I’m walking away from this conversation with some things I could do with my work and how I can help the journalism community but also what I can do in my line of work as a documentary filmmaker.”

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GCI Catalyst Project aims to tackle human rights issues with help of AI

Katarina Benson — Thu, 10 Sep 2026 17:45:10 +0000

GCI Catalyst Project aims to tackle human rights issues with help of AI Katarina Benson Thu, 09/10/2026 - 13:45

Cher Weixia Chen hopes being mindful of human rights will one day be just as automatic as looking both ways before crossing the street.

The ��ɫ��Ƶ professor is spearheading an innovative project she hopes will give educators and students, along with NGOs, government, technological, and business leaders, the tools to better approach human rights issues.

Cher Weixia Chen. Photo by Evan Cantwell/Office of University Branding

Chen, a professor in the School of Integrative Studies in the College of Humanities and Social Sciences, serves as the principal investigator of one of seven George Mason Grand Challenge Initiative (GCI) catalyst research projects: “AI-Powered Human Rights Education for All: Toward a Better World.” Collaborating with faculty from the College of Engineering and Computing (CEC) and the Costello College of Business, her team is creating an AI‑driven virtual human rights classroom prototype that will provide access to practical, personalized tools to learn and apply human rights principles in daily life.

“If someday this concept could be so with us, that whenever we make a decision that affects another person, our first instinct is to ask, ‘Is this respectful of their dignity and rights?’ Then we could at least inch closer to a better world,” said Chen, who is the founder of the George Mason Human Rights and Global Justice Initiative and was recently named the 2026 Faculty Member of the Year by the ��ɫ��Ƶ Alumni Association. “So that is the idea, and I feel like the emergence of AI makes this possible.”

The 18-month project began this summer with the team recruiting a graduate student and two undergraduate students through the Office of Creative Student Activities and Research (OSCAR).

Using a built-in Human Rights Impact Assessment (HRIA) toolkit, users of the classroom will explore interactive scenarios and receive personalized guidance to help them navigate real‑world dilemmas and assess the impact of human rights decisions, policies, and technologies.

Helping with the project’s design is a trio of professors from CEC: Ziwei Zhu and Antonios Anastasopoulos from the Department of Computer Science and Sungsoo Ray Hong in the Department of Information Sciences and Technology. CEC faculty will provide expertise in artificial intelligence, natural language processing, trustworthy AI, and human-AI interaction.

“Together, we will help develop a platform that is technically robust, reliable, culturally responsive, and easy for both students and educators to use,” Zhu said. “The project could make high-quality human rights education more accessible, personalized, and engaging for learners well beyond a traditional classroom. Over time, it can help people better understand how decisions in technology, business, government, and other sectors affect human rights, supporting more informed and responsible decision-making.”

Lei Gao, an associate professor of finance in Costello, believes human rights are impacted just as much by the decisions made in boardrooms and financial markets—through supply chains, investment choices, labor practices, and the design of new technologies.

Gao will pilot the HRIA toolkit prototype with students in his finance courses, FNAN 444 Socially Responsible Finance and FNAN 483/MSF 683 Ethical and Professional Standards in Finance. He said targeting students is key as they represent “future analysts, managers, and entrepreneurs who will actually be making these decisions.

“Some of the most consequential decisions affecting human rights are made in boardrooms and financial markets,” Gao said. “This project helps the next generation of business leaders treat human rights as part of sound decision-making, not an afterthought—and gives them a practical tool to do it.”

Also contributing input in a consulting role will be renowned human rights educator Felisa Tibbitts, who served as co-editor with Chen on the book, Disciplinary Frontier of Human Rights in Higher Education. Tibbitts is currently the UNESCO Chair in Human Rights and Higher Education at Utrecht University in the Netherlands and will serve as consultant on the project.

In addition to reaching higher education audiences, the toolkit can also apply to educators and students at the K-12 school levels. Chen said she aspires to work with the Department of Modern and Classical Languages in CHSS to translate the toolkit for other languages. The team is looking beyond the business and technological industries, hoping to later reach international organizations, NGOs, nonprofits, and government and private sectors.

“Using human rights education as a tool, and now with the help of this, new technology—AI—it seems possible and plausible to make human rights reach as wide an audience as possible around the world,” Chen said. “This project essentially highlights the transformative power of these three factors: human rights, education, and AI. For all of us, this is something new and I think it’s worth trying. And for me, the most exciting part of this is it’s doable, it’s scalable, and it’s adaptable.”

This initiative supports the Advancing 21st-Century Education for All solution of George Mason's Grand Challenge Initiative

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George Mason anthropology students test ancient tools — and earn points for spear throwing

Katarina Benson — Thu, 11 Jun 2026 22:31:49 +0000

George Mason anthropology students test ancient tools — and earn points for spear throwing Katarina Benson Thu, 06/11/2026 - 18:31

To Kimberly Foecke, studying the past doesn’t need to be a passive experience.

The ��ɫ��Ƶ assistant professor of anthropology believes in the importance of hands-on learning so much that she created the ANTH 399 Experimental Archaeology course on experimental archaeology to help bridge theory and practice.

This past spring, undergraduate and graduate students got their hands dirty with a variety of experiments in the field that tested theory discussed in the classroom.

Students created new versions of old tech in their archaeology labs. Photo by Haagen D. Klaus.

Foecke’s course pushes critical thinking and experimental design while focusing on the themes of innovation of technology, exploiting and processing food resources, and cultural and social transmission of knowledge--all subjects she says are applicable and transferrable to other areas of study.

“I think active learning is so important,” Foecke said. “All of these experiments we do have information we can then project back into the archaeological record. This is interspersed with lecture where we talk about how to design experiments for different types of material that we find in the record. This helps students to understand how to test the capabilities of ancient technology and other archaeological items we find and create testable predictions for the artifacts.”

Labs included flint knapping, the art of creating tools out of stone. Students struck obsidian sent from one of Foecke’s peers in Kenya into a sharp flake and used their new tool to cut chicken feet. They also created scale buildings to test the load-bearing capacity of different roof types through experimental architecture, and they cooked ancient recipes for adhesives to test strength, longevity, and flexibility to use for hunting tools.

“I’ve done things in this class I’ve never done before,” anthropology junior Sophia Taylor said. “I got to process oats with a big slab of slate and a grinding stone. I never thought my wrists would be sore from something like that, but I’m finding out new knowledge every day.”

The class culminated with experimental spear throwing on the lawn next to the Mason Pond parking garage at the end of April. Wielding replicated ancient spears that Foecke constructed at her father’s woodshop in Maryland, her students conducted accuracy and penetration tests.

Foecke created a hands-on spear workshop for students. Photo by Haagen D. Klaus.

“It is a nice break, a nice change having the hands-on,” anthropology graduate student Chuck Tjersland said. “It’s different and really does play a role. You read enough about experimental archaeology filling in some of the gaps.”

Added Tjersland’s class partner, anthropology undergraduate student David Rubalacaba: “How often do you throw spears for a grade?”

Foecke set up targets—featuring a drawing of a wooly mammoth—and hoops for students to throw wooden spears through. Each student attempted five throws, recording points for each target struck.

Foecke said the experiment displays what ancient civilizations encountered when having to use sticks that aren’t the most aerodynamic and while facing tough weather conditions. “They’re learning how difficult it is to throw a non-ideal spear and hit a target first time, every time,” Foecke said. “It is almost impossible, even for professional javelin throwers.”

Another station featured stabbing blocks made from insulated foam. Students tested the differences in cut size using two types of spears: one just whittled on one end and the other with an arrowhead stone attached to the end. The experiment showed that the spear with the arrowhead always made a wider and more jagged cut.

Both the spear throwing and spear stabbing experiments tried to answer the “why.” Why spend all this time throwing a spear with a high miss rate? Why take so much time flint knapping or carving stones to attach to sticks when whittling would only take five minutes?

“That animal bleeds out more quickly and therefore you eat dinner sooner,” Foecke said. “It is these kinds of questions around something weird in the record that we have to explain. We have to explain why and what the process is that causes us to see that pattern in the archaeological record. Experimental archaeology is all about creating predictions and hypotheses for why we see the patterns that we do and the processes that we do.

“This is the favorite part of my job. I love to teach, and I love to create cool experiences in the classroom.”

Students throwing spears. Photo by Haagen D. Klaus.

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This Honors College student-athlete excels on and off the field

Katarina Benson — Fri, 29 May 2026 15:00:34 +0000

This Honors College student-athlete excels on and off the field Katarina Benson Fri, 05/29/2026 - 11:00

As a freshman, ��ɫ��Ƶ Honors College student Marley Oare chose the Global Affairs Program because she pictured herself working for the CIA or the United Nations.

That quickly changed when she took a natural science course in her first semester.

She recalls wondering how she could incorporate her new interest in the environment into her major. Fortunately, global affairs is an interdisciplinary major offering several concentrations. Oare chose to add the environment concentration to her degree program, which allows global affairs majors to take 12 credits in environmental science and/or policy classes or take a semester at the Smithsonian-Mason School of Conservation (SMSC).

Oare recently achieved her personal best of 12 feet 6 inches. Photo by George Mason Athletics

“The biggest thing I learned from that class was how interdisciplinary environmental science is,” she said. “Learning how I can contribute to conservation was cool to me because we do need more than just scientists. That’s what I have really loved about the Global Affairs Program—it provided me so much flexibility that I was able to focus on what I enjoy while still working toward my degree.”

That flexibility also helped Oare as a student-athlete. During the past four years, Oare was a pole vaulter for George Mason’s indoor and outdoor women’s track and field teams. This past winter, she landed on the podium at the Atlantic 10 Indoor Track and Field Conference Championships, finishing third in the pole vault. It was the culmination of hard work for Oare, who didn’t begin pole vaulting until high school and walked on to the George Mason team.

Her freshman year in 2023, she cleared the bar at 10 feet, 6 inches. This past January, she set a personal best with a jump of 12 feet, 6 inches—a two-foot improvement over three years.

“Those kinds of margins are pretty remarkable,” George Mason track and field head coach Andrew Gerard said. “We knew that, if Oare performed at her capabilities, she'd be a very strong contender for a podium finish and that came to fruition.”

An Honors College student, Oare has balanced the heavy workload of classes, internships, and jobs, with practices, track meets, and the travel that comes with it. The hard work has come with recognition. This past spring, she was named a Peter N. Stearns Provost Scholar Athlete for the third time. The Provost Scholar-Athlete Award recognizes student athletes who have achieved a cumulative grade point average of 3.75 or higher with at least 38 credit hours.

“She’s always been good at planning her classes and her work ahead of time and charting out a plan to take high-level courses,” said Oare’s advisor Matthew West, an associate professor in the Global Affairs Program. “Her success in the classroom has made the work she’s done juggling her training and competitions as a student-athlete all the more impressive.”

Marley Oare. Photo by George Mason Athletics

Looking forward, Oare wants to work for an environmental nonprofit after graduate school. Her preferred field is marine biology, but she is also interested in wildlife conservation, grasslands, and forestry.

Her passion for nonprofits has been spurred by past internship experiences in both high school and college. She worked with the PATH Foundation, which provides grants and programs for organizations in Fauquier, Rappahannock, and Culpeper counties.

Through the PATH Foundation, she was placed in an internship with Just Neighbors, a nonprofit that supports low-income immigrants in Fairfax, Loudoun, and Prince William counties with free or reduced legal services. Oare said those relationships, along with learning in the Global Affairs Program about the importance of indigenous communities to environmental sustainability, have showed her how local progress can influence global issues.

She’s working her way toward that goal. After completing her bachelor’s degree in global affairs with a minor in Spanish in May, Oare is headed to the University of Rhode Island to work on a master of environmental science and management with a specialization in conservation biology. She will use her fifth year of NCAA eligibility to compete on the women’s track and field team at Rhode Island.

“I think community-driven solutions are the best way to solve community problems,” she said. “That’s why I really want to get into environmental nonprofit work. I think the smaller organizations, because they understand so well what the community needs, are the best way to solve those problems. Local representation is so important.”

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Art history senior curates exhibit on women artists and their perspectives on aging

Katarina Benson — Fri, 15 May 2026 15:33:36 +0000

Art history senior curates exhibit on women artists and their perspectives on aging Katarina Benson Fri, 05/15/2026 - 11:33

��ɫ��Ƶ senior Silas Fransen plans to pursue a career as a museum curator.

And thanks to the university’s Office of Student Creative Activities and Research (OSCAR), the art history major already has one exhibit to his name.

Fransen at the opening of his exhibit. Photo by the Hylton Center.

This past spring, Fransen curated the “Fountain of Truth: Women Artists and Their Perspectives on Aging” exhibit in collaboration with Mason Exhibitions at the Hylton Performing Arts Center in the Buchanan Partners Gallery on the Science and Technology Campus.

Fransen, who graduated in May, received funding through the OSCAR Undergraduate Research Scholars Program, and was guided by George Mason faculty mentor LaNitra Berger, an associate professor of history and art history and the director of the African and African American Studies Program.

“It was certainly the most challenging thing I’ve done at George Mason, but I definitely want t o do more projects like these,” Fransen said.

“Fountain of Truth” featured artwork from five Washington, D.C. area female artists—Cheryl D. Edwards, Britnee Scott, Eliza Tebo, Angela Hiebert, and George Mason alum Marie Guagenti, BFA ’24—and culminated in a panel discussion moderated by Fransen in April at the Hylton Center.

The artists, ranging in age from 37 to 87, produced a variety of styles, including oil paintings, graffiti art, and metal, to share their experiences with aging. The panel discussion also included a performance from Tebo, who performed her debut single, “Fountain of Youth,” as Gemma Sky.

“They were all very inspiring,” Fransen said. “They each pulled out unique topics, and they each had their own takeaway from it. There is so much to be learned in just aging, and it is just a very beautiful thing to be able to get to age.”

The idea for the exhibit stemmed from a paper one of Fransen’s professors referenced in a Northern Baroque Art class. The piece examined why female saints were often depicted in a more youthful state whereas their male counterparts were shown in their older age.

“I couldn’t stop thinking about this paper,” Fransen said. “I wanted to see how contemporary artists were interacting with this history or how they felt about their own aging. I was trying to place this history that had been dominated by men for a very long time back into the hands of women artists.”

Fransen moderating the discussion at the exhibit. Photo by the Hylton Center.

Fransen, who worked on the exhibit for almost a year, put out a call for art, reviewed applications, and coordinated with the selected artists. Working with Mason Exhibitions, Fransen strategically placed the artwork throughout the gallery space on the second floor of the Hylton Center.

“Professor Berger said something early on that really altered how I was thinking about this project: ‘Curators are creating something out of nothing,’” said Fransen. “We [curators] work alongside artists. There is just blank space before we walk in and turn the space into this phenomenal exhibit that is life-changing for some.”

“Silas had the vision, the knowledge, and the drive to organize the exhibition from start to finish, and he brought together a dynamic, diverse, and thoughtful group of women artists to have an important artistic conversation about aging,” Berger said.

A native of Front Royal, Virginia, Fransen plans to take a gap year before starting graduate school for art history. He said the breadth of courses he took at George Mason in art history—from the Black Renaissance in America, Art of the Islamic World, Arts of the United States, and Arts of Medieval England—helped him see the overlap of different cultures.

“I love how George Mason’s Department of History and Art History is so varied,” he said. “I think it has prepared me for the next step, especially after taking on this large project on top of my classes.”

He says this knowledge will influence his future aspirations, which include being a museum curator or working as a college professor and helping with museum exhibits.

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George Mason collaborating with National Park Service to examine Revolutionary War from tribal nations' perspective

Katarina Benson — Thu, 12 Mar 2026 21:18:12 +0000

George Mason collaborating with National Park Service to examine Revolutionary War from tribal nations' perspective Katarina Benson Thu, 03/12/2026 - 17:18

As the United States celebrates its 250th anniversary this year, ��ɫ��Ƶ is collaborating with the National Park Service (NPS) to make sure the contributions of all Americans are being recognized.

Gabrielle Tayac, an associate professor in the Department of History and Art History in the College of Humanities of Social Sciences, has received a grant from NPS to lead Phase Two of Tribal Nations and the Revolutionary War, a community-driven research project that will examine the Revolutionary War and its aftermath from the perspectives of tribal nations.

Tayac serves as the principal investigator and will assist the NPS in facilitating educational and interpretive strategies that will be implemented in sites around the Mid-Atlantic region and throughout the Northeast.

Gabrielle Tayac has received a grant NPS to lead Phase Two of Tribal Nations and the Revolutionary War. Photo provided

“My hope is that it will help everyone get a sense of deep connection and relationship to the lands we live on now, to the people who are still here and maybe who are not here and wonder what happened to them,” Tayac said. “To be better caretakers of our communities and places.”

The NPS grant runs through 2027 and coincides with America’s semiquincentennial celebration. Tayac is working with fellow Department of History and Art History professors C. Joseph Genatin-Pilawa and George Oberle, BA History ’96, MA ’98, PhD ’16, who also serves as a history librarian and the director of the Center for Mason Legacies (CML). Digital Humanities Librarian Alyssa Fahringer, who collaborates with Oberle in the CML, will also contribute to the project.

Tayac, who served as the inaugural curator historian at the Smithsonian National Museum of the American Indian in Washington, D.C., and New York, will set up workshops in the Northeast region from the Chesapeake Bay up to Maine. These seminars will provide insight from historians, NPS park rangers, and Indigenous community scholars. Tayac and her George Mason colleagues will then produce digital work for historic sites and visitor centers.

Tayac, who collaborated on the 400th anniversary of Jamestown in 2007, hopes the project and the 250th celebration will serve as a focal point to “deepen those histories so that people can see them for a long time.”

“It is really critical it is done in a way that Native communities want their stories to be told,” said Tayac, who is an enrolled citizen of the Piscataway Indian Nation. “We also know that it has to be done in a way where the American public can really understand it, relate to it, and find the information relevant and intriguing to open up those conversations.”

George Mason alum and NPS regional cultural anthropologist Noel Lopez, PhD Cultural Studies ’18, serves as a tribal liaison officer for the National Capital Region. He said previous interactions with George Mason, such as collaborations on ecological study units with tribal communities in the Chesapeake Bay watershed, have made the transition into the project easier.

“A lot of the work all of us do, whether it is anthropology or tribal liaison, a lot of it is around connections with people and connections with networks,” Lopez said. “All of this work we’re doing on both sides is relationship building. It is building trust with people.”

George Mason students will also play a role. Tayac will offer training and hands-on opportunities, including through an undergraduate course, History 397 Public History in Action, which she will teach in spring 2027. Students will pull from the tribal communities’ stories and transform those into projects for museums, historic sites, a cultural center, or a website.

“I’m really excited about the opportunity for this project to not only workshop in the relationships with Native tribal community representatives but also to bring it back into Mason,” Tayac said. “In real-time, my students can also have a hand in it. I think that’s really important, and it tends to make them really excited about history work, too.”

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Veteran alumna pays it forward after soaking up 'great' college experience

Katarina Benson — Mon, 10 Nov 2025 19:32:49 +0000

Veteran alumna pays it forward after soaking up 'great' college experience Katarina Benson Mon, 11/10/2025 - 14:32

When Tiffany Taylor, BS Criminology, Law and Society ’20, enrolled at ��ɫ��Ƶ, she expected her college experience to look different than most.

An Army veteran and single parent with three school-aged children, Taylor was responsible for multiple schedules. But, over the next two years, she was still able to capitalize on the opportunities at George Mason—attending classes on campus, getting involved in her program and classmates’ projects, participating in internships, and embarking on two study-abroad trips.

Not only did she soak up every minute of the college experience, but today she mentors current College of Humanities and Social Sciences (CHSS) students, advocating for nontraditional students.

“I often say that because I was a nontraditional [student] and had outside responsibilities with my children, a lot of times it felt like I was just on campus for class and I would leave,” Taylor said. “But when I sit and reflect on it, I had a great experience at Mason, and I tapped into almost everything that was available.”

Taylor, BS Criminology, Law and Society ’20. Photo provided

Originally from New York, Taylor served as an intelligence analyst in the Army for more than seven years. She briefed senior-level commanders and staff for both Operation Iraqi Freedom in Iraq and Operation Enduring Freedom in Afghanistan. Stateside, subsequent trainings moved Taylor and her family to bases in Missouri, Arizona, Georgia, and finally, to nearby Fort Belvoir in Virginia.

She imagined herself making a career out of the military, but, in 2011, she was forced to medically retire due to kidney complications.

“It was bittersweet having to leave the military and readjust to civilian life,” she said. “But I believe everything happens for a reason.”

After earning her associate’s degree at Northern Virginia Community College and working several odd jobs to help her family, Taylor decided to return to school and pursue her childhood dream of becoming a lawyer.

Taylor enjoyed being able taking classes on campus—both during the day and in the evening. She also appreciated how accommodating her professors in the Department of Criminology, Law and Society (CLS) were with her schedule as a single parent, understanding if she had to miss a class because of a conflict or welcoming and interacting with her two younger sons, who were in elementary and middle school.

Being on campus also gave her access to a variety of programs and projects, including an internship in the D.C. Office of Police Complaints and a role in a research study. She played a prosecutor in a guilty plea negotiation research study conducted by a PhD candidate in the Modeling Decision-Making in the Legal System (MoDiLs) Laboratory.

She heard about the opportunity from Allison Redlich, Distinguished University Professor and associate chair of Department of Criminology, Law and Society, who runs the lab. Redlich served as a mentor to Taylor, opening her eyes to a new career path in her capstone writing class.

“That capstone writing research class on wrongful convictions really opened my eyes and changed the whole trajectory of my law career and future,” said Taylor, who originally wanted to pursue entertainment law. “It just geared me toward public interest.”

Taylor’s curiosity, willingness to learn, and desire to improve made her an ideal student, Redlich said. The two stay in contact, with Taylor often reaching out to her former professor for advice or help on her writing.

“She had very clear career goals, and she did so much to achieve those goals even when life throws you a bunch of curves,” Redlich said. “She just kept going. I always found that extremely impressive.”

But perhaps just as impactful as her program was the opportunity to study overseas. A visit from members of George Mason’s Global Education Office to one of Taylor’s classes showed her that studying abroad was a possibility.

Over the holiday break two years in a row, and with her parents able to watch her children, she participated in two three-week experiences. First, she went to Tanzania and Zanzibar for a course on human trafficking and modern-day slavery. The next year, she traveled to Germany, Hungary, and Austria for a course on post-war and justice that focused on art recovery after the Nuremberg Trials.

On the heels of challenging medical issues, in what she described as an emotional time in her life, Taylor called the trips “life-changing” and expressed gratitude toward the Veteran Affairs scholarships she received to help pay for the trip.

Now, she looks to give back as she starts the next chapter of her career. She graduated from law school at Drexel University in Philadelphia in May and recently took the uniform bar examination with aspirations to practice law in the Washington, D.C., metropolitan area, perhaps as a public defender.

“I’m a big advocate for nontraditional students and older individuals going back to school, individuals like myself, from underserved or impoverished neighborhoods that never would have thought they could have gone to college,” said Taylor, who serves as a friend of the CHSS alumni chapter board. “The opportunities I have had at George Mason, the doors it has opened... I’m a big advocate for letting people know. I’m very grateful for going the extra step.”

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Center for Community Mental Health partnership provides behavioral health training

Katarina Benson — Wed, 15 Oct 2025 21:33:19 +0000

Center for Community Mental Health partnership provides behavioral health training Katarina Benson Wed, 10/15/2025 - 17:33

Since 2010, the Center for Community Mental Health’s (CCMH) mission has been twofold: train ��ɫ��Ƶ students to become behavioral health care professionals, and provide evidence-based, accessible, and affordable mental health care to members of the Northern Virginia community.

The center’s latest partnership checks both boxes.

From left: Claude Moore Opportunities CEO Bill Hazel, George Mason Center for Community Mental Health director Robyn Mehlenbeck, ConnerStrong Foundation president and founder Tom Worosz, and George Mason PhD student Lucy McClellan. Photo by Jerome Boettcher/CHSS

The center, in conjunction with nonprofits Claude Moore Opportunities and the ConnerStrong Foundation, hosted a four-day training in September led by Sources of Strength, a nationally renowned, evidence-based suicide prevention program, for nearly 30 trainees, including more than 20 George Mason students. The goal is for the Sources of Strength curriculum to be implemented in local schools across Virginia, to improve mental health among youth populations.

“This was an incredible opportunity to bring together impactful partners to meet both aspects of our mission,” CCMH director Robyn Mehlenbeck said, “to be an integral part of expanding the youth mental health workforce here in Virginia while also providing our George Mason undergrads some really unique opportunities to both be trained and then credentialed to give them career paths.”

In addition to the Sources of Strength training, 12 Youth Mental Health Corps members through Serve Virginia, and seven Youth Mental Health AmeriCorps members—all George Mason or Rappahannock Community College students—are participating in a two-semester course at George Mason titled Special Topics: Supporting the Youth Mental Health Workforce. By taking the course, all 19 students will meet requirements for state certification.

George Mason students receive Sources of Strength training at the Center for Community Mental Health. Photo by Jerome Boettcher/CHSS

Five of the AmeriCorps students and the 12 Youth Mental Health Corps students will seek certification as a Qualified Mental Health Professional-Trainee through George Mason. Two Youth Mental Health AmeriCorps members will receive certification as a Behavioral Health Technician Assistant through Rappahannock Community College. Both certifications are through the Virginia State Board of Counseling and provide more job options for these students.

“It is an exciting opportunity through multiple lenses,” said Lucy McClellan, a George Mason clinical psychology PhD candidate who is teaching the course. “There is an ongoing youth mental health crisis. Engaging these motivated and passionate students will be a step toward addressing that. It can be challenging to find mental health service experience as an undergraduate so this experience is really integral.”

Bill Hazel serves as the CEO of Claude Moore Opportunities, which, in collaboration with Danville Community College and the Institute for Advanced Learning and Research, sponsored the seven AmeriCorps members. Hazel was previously the Virginia Secretary of Health and Human Resources and senior advisor for innovation and community engagement at George Mason.

Since leaving his role as the Virginia Secretary of Health and Human Resources in 2014, Hazel jokes he has been on his atonement tour to address all the areas he “couldn’t or didn’t fix” while in his post. He said lack of “meaningful support” through behavioral health care remains a growing issue, especially for younger generations.

“What is important about this group is they are a potential workforce to deliver the service,” Hazel said. “When you get to be a certain age, maybe you lose touch with the younger generation. These trainees are as near to peers as you can get to dealing with teens. Our hope is that this training will be personally beneficial, as they look at their own situations and their own goals in life and that it will provide them career opportunities they will enjoy.”

George Mason students and AmeriCorps members before Sources of Strength training at the Center for Community Mental Health. Photo by Jerome Boettcher/CHSS

Tom Worosz, president and founder of the ConnerStrong Foundation, has sponsored Sources of Strength training and implementation in approximately 20 schools in Virginia. Worosz founded the ConnerStrong Foundation in 2017 after his son, Conner, died by suicide at 17. The foundation’s mission is to bring awareness to mental health issues and suicide prevention and to change the discussion about mental health, especially for teenagers and young adults. The foundation has partnered with the CCMH for the last five years.

With the ConnorStrong Foundation, Mehlenbeck and George Mason clinical psychology students hold monthly virtual workshops for parents of school-aged children from K-12 that are available throughout the school year. The workshops address a variety of topics, including domestic violence, social media, artificial intelligence, and graduation.

“Through finding like-minded people in our community—[CCMH] director Robyn Mehlenbeck, her team, the College of Humanities and Social Sciences dean Ann Ardis, Dr. Hazel and his staff over at Claude Moore Opportunities—and others who want to change the way we address mental health, we cover all age groups, but especially getting to our kids early and often has been a blessing,” Worosz said.

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Mason alum helps suspend disbelief in Cirque du Soleil production

Katarina Benson — Fri, 26 Sep 2025 11:42:46 +0000

Mason alum helps suspend disbelief in Cirque du Soleil production  Katarina Benson Fri, 09/26/2025 - 07:42

With the 20th anniversary of the ��ɫ��Ƶ men’s basketball team’s unprecedented run to the 2006 Final Four approaching, Gracie Valdez, BA Art History ’07, finds herself nostalgic. 

Not just as a George Mason grad, but as someone who was on the court, traveling with the team, and performing as a member of the Masonettes dance team. 

Valdez is the artistic director for Cirque du Soleil’s LUZIA. Photo provided

“We were all a really tight-knit team,” Valdez said. “We were making a name for ourselves. It was the basketball team, cheer [squad], and us, and we were working together. It was so special. It was magic.” 

Two decades later, Valdez is part of another team that suspends disbelief. She currently serves as the artistic director for Cirque du Soleil’s LUZIA, which travels around the world and is playing through October 18 under the “Big Top” tent outside Tysons Galleria.  

Coming from a stop in Montreal, the show’s six-week run in Virginia serves as a homecoming for Valdez, whose family moved to Vienna when she was in fourth grade. Using stunning visuals, acrobatic stunts, and 10,000 liters of water (recycled after each show) in a mesmerizing waterfall sequence, LUZIA puts a spotlight on the culture and mythology of Mexico. 

“LUZIA is a love letter to Mexico,” Valdez said. “It is a very unique way of celebrating the surrealism, the art, some of the mythology in Mexican culture… I have Mexican heritage, and it has been a deep source of pride being able to share this beautiful work around the world. Then bringing it home, bringing it to Northern Virginia is extra special.” 

Valdez has been with Cirque du Soleil for more than 16 years, including the last nine with LUZIA. Her job consists of managing more than 45 artists, which include acrobats and cast members, along with the stage managers, coaches, and performance medicine therapists. She oversees the production show and prepares in case artists get injured or sick, ensuring the audience doesn’t see a drop in quality. 

“She is keeping the intention of the creation team,” said Cirque du Soleil publicist Charlie Wagner, who has worked with Valdez since 2019. “They really have freedom, but Gracie is great at giving them guidance. They are free to explore themselves and she is helping them to become better artists.” 

Valdez grew up participating in dance and performing arts but said she wasn’t aware this was a potential career path. Previously she co-directed the Washington, D.C.-based modern dance company Mayzsoul and coached competitive high school dance teams in the Washington, D.C., metropolitan area.  

At Mayzsoul, she was mentored by founder and fellow George Mason alum Melanie Lalande, BFA Dance ’01. When Lalande took a job at Cirque du Soleil in 2008 as an artistic director, she persuaded Valdez to join her in a temporary post. She worked her way up the ladder as stage manager and assistant artistic director at a couple different shows for Cirque du Soleil while also picking up freelance opportunities in Australia, where she now lives. 

“The running joke on the team was always that Gracie was going to end up working for Cirque du Soleil,” former Masonettes coach Michelle Debban said. “She was one of the most flexible dancers on the team, and she’d often try to contort herself in crazy positions to see what she was capable of. I am not surprised in the least that she is where she is today.

“Dancers are generally so much more than just dancers—they usually know the ins and outs of running a show, whether it means costume choices or show order or making sure everyone is where they need to be.”

Valdez said the skills she developed as a student-athlete—discipline, work ethic, time management, and collaboration—resonate even more in her current leadership role. 

“That was a saving grace for me in my university career but also really taught me amazing discipline that I cherish,” she said. “We worked really hard as a group, as a team. We competed nationally for four years and were really successful. I think that was the highlight of my university career.” 

Valdez acknowledges the practicality of her humanities degree. With her double major, she took several painting technique courses and explored Islamic and Latin American art history. The latter piqued her interest as one of her final papers examined how the relationship of Mexican painters Diego Rivera and Frida Kahlo fueled their artwork.  

“Taking that information I learned through those courses and here I am celebrating this Mexican culture, Mexican art,” she said. “I think it was pretty serendipitous in how my education all melded into where I am now.” 

The ��ɫ��Ƶ Alumni Association is planning a George Mason Night with Cirque du Soleil on Thursday, October 16, 2025, at 7:30 p.m. George Mason alumni are invited to stay after the show for an exclusive meet and greet with select performers from LUZIA.

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